PUBLICATIONS
Books
Ed. with Julian Horton: Irish Musical Analysis, Irish Musical Studies 11 (Dublin: Four Courts Press, 2014).
Seóirse Bodley (Dublin: Field Day Publications, 2010).
Ed. with Axel Klein & Michael Taylor: The Life and Music of Brian Boydell (Dublin: Irish Academic Press, 2003).
Ed. with Axel Klein: Irish Music in the Twentieth Century, Irish Musical Studies 7 (Dublin: Four Courts Press, 2003).
Ed.: Acton's Music: Reviews of Dublin's Musical Life 1955-1985 (Bray: Kilbride Books, 1996).
Anton Weberns Studienzeit: Seine Entwicklung im Lichte der Sätze und Fragmente für Klavier (Frankfurt and New York: Peter Lang Verlag, 1992).
Chapters in Books
‘The bar of legitimacy? Serialism in Ireland’, in Irish Musical Analysis, Irish Musical Studies vol. 11, ed. Gareth Cox & Julian Horton (Dublin: Four Courts Press, 2014), 187-201.
(with Joseph Ryan): ‘Fritz Brase’s Contribution to Irish Musical Life 1923-1940’, Creative Influences: Selected Irish-German Biographies, ed. Joachim Fischer & Gisela Holfter (Trier: WVT, 2009), 52–62.
‘Blumengruss und Blumenglöckchen: Goethe’s Influence on Anton Webern’, Goethe: Musical Poet, Musical Catalyst, ed. Lorraine Byrne (Dublin: Carysfort Press, 2004), 203–22.
‘Seóirse Bodley’s News from Donabate’, Proceedings of the 1st Annual Conference of the Society for Musicology in Ireland, ed. Barra Boydell (Maynooth: SMI, 2004), 137–42.
‘The Musical Language of Brian Boydell: Octatonic and Diatonic Interaction’, The Life and Music of Brian Boydell (Dublin: Irish Academic Press, 2003), 25–43.
‘An Irishman in Darmstadt: Seóirse Bodley’s String Quartet no. 1’, Irish Music in the Twentieth Century, Irish Musical Studies 7, ed. Gareth Cox and Axel Klein (Dublin: Four Courts Press, 2003), 94–108.
‘Octatonicism in the String Quartets of Brian Boydell’, The Maynooth International Musicological Conference 1995. Selected Proceedings Part Two, Irish Musical Studies, Vol. 4, ed. Patrick Devine & Harry White (Dublin: Four Courts Press, 1996), 263–270,
‘The Music of Gerald Barry as an Introduction to Contemporary Irish Art-Music: Twentieth-Century Music in the New Leaving Certificate Syllabus (1999-2001)’, Explorations: Mary Immaculate College Centenary Festschrift, ed. Liam Irwin (Limerick: MIC, 1998), 61–72.
‘Towards the Passacaglia? The Tonal Works of Anton Webern’, Sprachen und Kultur 15 (Tokyo: Institut für Sprachen und Kultur der Meiji Gakuin Universität, 1998), 17–28.
‘The Development of Twentieth-Century Irish Art-Music’, Musik als Text: Bericht über den Internationalen Kongress der Gesellschaft für Musikforschung Freiburg im Breisgau 1993, ed. Hermann Danuser & Tobias Plebuch (Kassel: Bärenreiter, 1998), 560–562.
‘German Influences on Twentieth-Century Irish Art-Music’, Irish-German Connections: History, Literature, Translation, ed. Joachim Fischer, Gisela Holfter, Eoin Bourke (Trier: WVT, 1998), 107–114.
Book Reviews
Alison M. Garnham, Hans Keller and Internment: The Development of an Emigré Musician 1938–48 (London: Plumbago, 2011), Journal of the Society for Musicology in Ireland, Vol. 7 (2011-2012), pp. 55-59.
Christopher Morris, Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg (CUP 2002), Notes, vol. 60 (1), September 2003, pp. 187-189.
Danuser, Hermann (ed.), Die klassizistische Moderne in der Musik des 20. Jahrhunderts: Internationales Symposium der Paul Sacher Stiftung, Basel 1996 (Amadeus Verlag, Winterthur, 1997) & Meyer, Felix (ed.), Klassizistische Moderne: Eine Begleitpublikation zur Konzertreihe im Rahmen der Veranstaltungen ‘10 Jahre Paul Sacher Stiftung’: Werkeinführungen, Essays, Quellentexte. (Winterthur: Amadeus Verlag, 1996) in Music & Letters, Vol. 80 (1), February 1999, pp. 147-150.
Axel Klein. Die Musik Irlands im 20. Jahrhundert (Hildesheim: Georg Olms Verlag, 1996), Music & Letters, Vol. 78 (4), November 1997, pp. 624-625.